頂尖DJ培訓(xùn)帶你認(rèn)識工業(yè)搖滾 Industrial Rock

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了解更多的音樂風(fēng) 格對于職業(yè)DJ來講是很重要的，不僅要對自己領(lǐng)域內(nèi)的音樂風(fēng)格了如指掌還要適當(dāng)?shù)膶ζ渌L(fēng)格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂，其中就包含搖滾樂，很多喜歡變形精鋼的朋友我想都對林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。頂尖DJ培訓(xùn)中心在教學(xué)初始就鼓勵(lì)學(xué)員多接觸不同的音樂風(fēng)格。

本期介紹的是“工業(yè) Industrial”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

工業(yè) Industrial

“工業(yè)”這個(gè)詞作為一種音樂形式及風(fēng)格出現(xiàn)并發(fā)展于20世紀(jì)后半葉，伴隨著當(dāng)時(shí)文化思潮而存在。任何一種風(fēng)格都是受環(huán)境影響而誕生的，正應(yīng)了那句話：“環(huán)境鑄造人”，什么樣的環(huán)境決定什么樣的藝術(shù)家，什么樣的藝術(shù)家決定什么樣的音樂，工業(yè)最為典型。
工業(yè)音樂產(chǎn)生于20世紀(jì)70年代，于80年代得到長足發(fā)展，90年代至今分化融解。當(dāng)時(shí)的歐美人文思潮推崇未來主義、達(dá)達(dá)主義和超現(xiàn)實(shí)主義，又正是信息化與產(chǎn)業(yè)化成熟的階段，更趕上工業(yè)化(這里用的是本義)流水線式的生產(chǎn)結(jié)構(gòu)基本成熟，于是工業(yè)音樂應(yīng)運(yùn)而生。尤其第三點(diǎn)，很形象解釋了此種風(fēng)格誕生的原因和起源，正如“哥特”音樂的本質(zhì)來源于古典、取材于誕生于歐洲中世紀(jì)教會(huì)統(tǒng)治時(shí)期哥特建筑一樣。所以說，音樂的形成是歷史文化的體現(xiàn)。

Industrial music is a style of experimental music that draws on transgressive and provocative themes. The term was coined in the mid-1970s with the founding of Industrial Records by the band Throbbing Gristle, and the creation of the slogan "industrial music for industrial people". In general, the style is harsh and challenging. Allmusic defines industrial as the "most abrasive and aggressive fusion of rock and electronic music"; "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation".
The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, serial killers and the occult. Their production was not limited to music, but included mail art, performance art, installation pieces and other art forms. Prominent industrial musicians include Throbbing Gristle, SPK, Boyd Rice, Cabaret Voltaire, and Z'EV. The precursors that influenced the development of the genre included acts such as electronic group Kraftwerk, experimental rock acts such as The Velvet Underground and Frank Zappa, psychedelic rock artists such as Jimi Hendrix, and composers such as John Cage. Musicians also cite writers such as William S. Burroughs, and philosophers such as Friedrich Nietzsche as influences.
While the term was initially self-applied by a small coterie of groups and individuals associated with Industrial Records in the 1970s, it broadened to include artists influenced by the original movement or using an "industrial" aesthetic. These artists expanded the genre by pushing it into noisier and more electronic directions. Over time, its influence spread into and blended with styles including ambient and rock, all of which now fall under the post-industrial music label. Electro-industrial music is a primary sub-genre that developed in the 1980s. The two other most notable hybrid genres are industrial rock and industrial metal, which include bands such as Nine Inch Nails and Ministry, both of which released platinum-selling albums in the 1990s. These three genres are often referred to as simply industrial.

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