搖滾樂風格之情緒硬核 Emo
了解更多的音樂風 格對于職業(yè)DJ來講是很重要的,不僅要對自己領(lǐng)域內(nèi)的音樂風格了如指掌還要適當?shù)膶ζ渌L格的音樂有所了解,作為一名職業(yè)DJ,在學DJ初期都會接觸一些 不錯的類型風格音樂,其中就包含搖滾樂,很多喜歡變形精鋼的朋友我想都對林肯公園不陌生,他們的搖滾樂讓這部好看的電影更添了幾分色彩。
本期介紹的是“情緒硬核 Emo”,頂尖DJ學校收集整理了一些不同風格的音樂的介紹和示例,在此展示給大家互相交流,了解更多請百度“合肥頂尖DJ培訓(xùn)中心”!選擇知名DJ學校,教學有保障,來合肥頂尖DJ學校!
情緒硬核 Emo
Emo(參考中譯名:情緒硬核或情緒化硬核)最初是從Hardcore Punk中派生出來的一種有著藝術(shù)家氣派的音樂,但在1990年代末它成為地下?lián)u滾的一支重要力量,投合了當時的朋克和獨立搖滾樂手。其他的解釋包括 EMO其實是“emotional”的縮寫,這是一種獨立的搖滾風格。還有一種叫做EMO的生活。
Emo最初是從Hardcore Punk中派生出來的一種有著藝術(shù)家氣派的音樂,但在1990年代末它成為地下?lián)u滾的一支重要力量,投合了當時的朋克和獨立搖滾樂手。一些Emo音樂是傾 向于激進一邊,其作品中充滿了復(fù)雜的吉他彈奏、非傳統(tǒng)的歌曲結(jié)構(gòu)、藝術(shù)家氣派的噪音和極端的樂器演奏位置的變化;還有一些Emo音樂和朋克流行樂更加接 近,盡管它仍顯得有一些難以理解。Emo的歌詞是非常個人化的,通常不是恣意幻想的詩句便是個人的懺悔。盡管Emo確實較少男子氣,但它仍是 Hardcore作為追求真實和反商業(yè)主義的嫡系后代;Emo音樂確信商業(yè)傾向的音樂太過虛假和造作以至于不能表達任何真實的情感。由于Emo的理念是真 實、深切可觸及的情感而反對理性的分析,因此它傾向于音樂中的過多的應(yīng)用較之以往更強的音高和釋放,但優(yōu)秀的Emo音樂作品中會有一種徹底的力量使之同時 具備內(nèi)容性、挑戰(zhàn)性和私密性。
Since its origination in the mid-80s, Emo has undergone many changes both stylistically and in the public perception of what exactly the term means. To attempt to nail down a singular standard for all Emo here would be folly, as no such thing exists. The unifying factor that makes emo (short for emotional) what it is, is a determination to use deeply personal and sincerely expressed feelings the central theme, whether that be through furious anger and personal climax or by heartfelt confession and poetic crooning.
There is general agreement that the origins of Emo grew out of the Washington, D.C. area Hardcore Punk scene, as former punk rockers looked for new forms of expression and formed the bands Rites of Spring and Embrace. The scene quickly spread to California, then across the landscape. The early Emo scene (1984-1989) sound featured mid-tempo, rock based guitar with an occassional flourish riff, and punk vocals that were sung rather than yelled. Emo was at this point still largely underground.
A second wave of emo bands like Moss Icon emerged around the turn of the decade, and introduced new elements to the sound. The quiet/loud dynamic became popular, as well as catchy riff based songs featuring octave chords, pop song structure, and more mainstream, clean vocals. It could be argued that the genre's first breakout band was Sunny Day Real Estate, and this style of Emo is what has stuck in many people's heads as definitive of the style, although during this same period bands like Mohinder were playing a more abrasive, punkish Emo featuring staccato, distortion-wracked music over screamed vocals. A divergence was already apparent.
From the mid-90s onward, this style of indie/post-rock-leaning Emo remained the larger sect, and spawned armies of like-minded bands. Though far removed from its roots, this incarnation has expanded the Emo fanbase into a major demographic as groups like The Get Up Kids and Dashboard Confessional carry the style toward the pop commercialism that its originators detested.
Emo最初是從Hardcore Punk中派生出來的一種有著藝術(shù)家氣派的音樂,但在1990年代末它成為地下?lián)u滾的一支重要力量,投合了當時的朋克和獨立搖滾樂手。一些Emo音樂是傾 向于激進一邊,其作品中充滿了復(fù)雜的吉他彈奏、非傳統(tǒng)的歌曲結(jié)構(gòu)、藝術(shù)家氣派的噪音和極端的樂器演奏位置的變化;還有一些Emo音樂和朋克流行樂更加接 近,盡管它仍顯得有一些難以理解。Emo的歌詞是非常個人化的,通常不是恣意幻想的詩句便是個人的懺悔。盡管Emo確實較少男子氣,但它仍是 Hardcore作為追求真實和反商業(yè)主義的嫡系后代;Emo音樂確信商業(yè)傾向的音樂太過虛假和造作以至于不能表達任何真實的情感。由于Emo的理念是真 實、深切可觸及的情感而反對理性的分析,因此它傾向于音樂中的過多的應(yīng)用較之以往更強的音高和釋放,但優(yōu)秀的Emo音樂作品中會有一種徹底的力量使之同時 具備內(nèi)容性、挑戰(zhàn)性和私密性。
Since its origination in the mid-80s, Emo has undergone many changes both stylistically and in the public perception of what exactly the term means. To attempt to nail down a singular standard for all Emo here would be folly, as no such thing exists. The unifying factor that makes emo (short for emotional) what it is, is a determination to use deeply personal and sincerely expressed feelings the central theme, whether that be through furious anger and personal climax or by heartfelt confession and poetic crooning.
There is general agreement that the origins of Emo grew out of the Washington, D.C. area Hardcore Punk scene, as former punk rockers looked for new forms of expression and formed the bands Rites of Spring and Embrace. The scene quickly spread to California, then across the landscape. The early Emo scene (1984-1989) sound featured mid-tempo, rock based guitar with an occassional flourish riff, and punk vocals that were sung rather than yelled. Emo was at this point still largely underground.
A second wave of emo bands like Moss Icon emerged around the turn of the decade, and introduced new elements to the sound. The quiet/loud dynamic became popular, as well as catchy riff based songs featuring octave chords, pop song structure, and more mainstream, clean vocals. It could be argued that the genre's first breakout band was Sunny Day Real Estate, and this style of Emo is what has stuck in many people's heads as definitive of the style, although during this same period bands like Mohinder were playing a more abrasive, punkish Emo featuring staccato, distortion-wracked music over screamed vocals. A divergence was already apparent.
From the mid-90s onward, this style of indie/post-rock-leaning Emo remained the larger sect, and spawned armies of like-minded bands. Though far removed from its roots, this incarnation has expanded the Emo fanbase into a major demographic as groups like The Get Up Kids and Dashboard Confessional carry the style toward the pop commercialism that its originators detested.
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