基督搖滾 Christian Rock_合肥頂尖DJ培訓(xùn)學(xué)校

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基督搖滾 Christian Rock

了解更多的音樂風(fēng) 格對(duì)于職業(yè)DJ來講是很重要的，不僅要對(duì)自己領(lǐng)域內(nèi)的音樂風(fēng)格了如指掌還要適當(dāng)?shù)膶?duì)其他風(fēng)格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會(huì)接觸一些不錯(cuò)的類型風(fēng)格音樂，其中就包含搖滾樂，很多喜歡變形精鋼的朋友我想都對(duì)林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。

本期介紹的是“Christian rock 基督搖滾”，頂尖DJ學(xué)校收集整理了一些不同風(fēng)格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請(qǐng)百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

基督搖滾 Christian Rock

Christian rock 基督搖滾，也可稱為福音搖滾。
它是搖滾樂下面的一個(gè)分支。之所以叫基督搖滾是因?yàn)檫@個(gè)樂隊(duì)里面的成員是基督教徒以及歌曲的歌詞中是表達(dá)基督教信仰的。
這種音樂類型在美國的搖滾樂隊(duì)中很流行。
曲風(fēng)上來說一般都比較偏流行化的搖滾。
但Christian rock下面還包含了很多子流派，如Christian metal，Christian punk，Christian hardcore，Christian alternative，Christian hip-hop。

Most of the time, Christian Rock essentially follows the sonic blueprint of mainstream AOR and arena rock, except of course for its Christian-themed lyrics. It was initially a somewhat controversial style in Christian circles, as more conservative elements believed all rock & roll to be inherently evil by nature, and gospel radio programmers were accordingly reluctant to program the music when it appeared during the mid-'70s. But others began to see Christian rock as an effective way to reach the unconverted, wrapping spiritual messages in an attractive package that strongly resembled a highly popular mainstream musical style. Petra's two Dove Award nominations in 1984 effectively signaled the gospel music community's acceptance of Christian rock as a viable and legitimate form, and helped pave the way for the heavier, flashier Christian style known as heaven's metal (itself an attempt to hook secular fans with an already established sound and spiritual lyrics). Harder, more uptempo Christian rock songs often try to project a firm, tough-minded, unshakable religious attitude, in keeping with the aggressive sound of the music, although many Christian rock bands have a fondness for majestic, sweeping power ballads; in both cases, the polished, squeaky-clean production is often just as close to the sheen of CCM pop as to the already slick sound of much AOR. Although some Christian rock bands experimented with rawer, more biting sounds in the late '80s and early '90s, the associations between the established conventions of big, anthemic hooks, loud yet smoothed-out guitars, and intense (yet fundamentally safe) spiritual emotion never completely died down. That time period also witnessed the unique phenomenon of King's X, a band with roots in Christian rock which garnered a devoted cult following among secular listeners and critics, thanks to its willingness to deviate from established musical formulas and address spirituality in more general terms. As alternative CCM began to capture larger portions of the Christian rock audience during the mid- to late '90s, many Christian rock heavyweights conceded the impact of mainstream alternative rock and shifted their brands of hard rock accordingly, although Petra soldiered on into the new millennium with their sound virtually unchanged.

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