什么是前衛(wèi)搖滾 Progressive Rock_合肥頂尖DJ培訓(xùn)學(xué)校

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什么是前衛(wèi)搖滾 Progressive Rock

了解更多的音樂風格對于職業(yè)DJ來講是很重要的，不僅要對自己領(lǐng)域內(nèi)的音樂風格了如指掌還要適當?shù)膶ζ渌L格的音樂有所了解，作為一名職業(yè)DJ，在學(xué)DJ初期都會接觸一些不錯的類型風格音樂，其中就包含搖滾樂，很多喜歡變形精鋼的朋友我想都對林肯公園不陌生，他們的搖滾樂讓這部好看的電影更添了幾分色彩。

本期介紹的是“前衛(wèi)搖滾 Progressive Rock”，頂尖DJ學(xué)校收集整理了一些不同風格的音樂的介紹和示例，在此展示給大家互相交流，了解更多請百度“合肥頂尖DJ培訓(xùn)中心”！選擇知名DJ學(xué)校，教學(xué)有保障，來合肥頂尖DJ學(xué)校！

前衛(wèi)搖滾 Progressive Rock

前衛(wèi)搖滾（Progressive rock），有時簡稱為prog rock，是在1960年晚期興起的搖滾樂分支之一，它的內(nèi)涵十分復(fù)雜并且吸納眾多其他樂派精神，因此并不能明確地定義出其精確范圍。前衛(wèi)搖滾最熱門最顛峰的時期是在1970年代的早期，并繼續(xù)流傳至今日。前衛(wèi)搖滾起源自英國，大多數(shù)的團體多出現(xiàn)于歐洲大陸，只有少數(shù)幾支樂團是來自于美國加拿大的。此種樂風通常結(jié)合了爵士樂、古典音樂、民間音樂和世界音樂等元素，不同于美國搖滾是受到R&B以及鄉(xiāng)村音樂的影響。經(jīng)由多年累積的發(fā)展，在前衛(wèi)搖滾中也出現(xiàn)了像是：交響搖滾、藝術(shù)搖滾、數(shù)學(xué)搖滾以及前衛(wèi)金屬等類型。

前衛(wèi)搖滾樂手意圖擺脫流行音樂的公式化及束縛，并亟力提升自身的音樂成就另外一種音樂類型，即便時常令人嗅到不小的古典與爵士影響。前衛(wèi)搖滾最獨特的地方便是“復(fù)雜”而不只是技術(shù)的出眾，因為在流行音樂中技巧十分出眾但卻演奏單調(diào)樂章的樂手亦大有人在。

前衛(wèi)搖滾并無絕對定義，名團克里遜王的領(lǐng)袖Robert Fripp就十分厭惡這個音樂分類上的術(shù)語。而構(gòu)筑出前衛(wèi)搖滾的作品多集中在1970年代，像是：Jethro Tull，Yes，創(chuàng)世紀合唱團，平克·弗洛伊德，愛默生、雷克與帕瑪，匆促樂團，皇后樂隊與克里遜王等等，音樂各有不同特色，無法同一而論。這些樂手與樂評家們（如：Bill Martin）對自身是否真的屬于前衛(wèi)搖滾感到疑問（不過在此我們必須要做如此假設(shè)，至少是70年代的他們）。同時也有人在爭辯像是：Frank Zappa，深紫，Phish，電臺司令，和Tool這類活躍于其他樂種的樂手是否隸屬于前衛(wèi)搖滾之下。

Progressive rock, also known as prog rock or prog, is a rock music subgenre that originated in the United Kingdom, with further developments in Germany, Italy, and France, throughout the mid-to-late 1960s and 1970s. It developed from psychedelic rock and originated, similarly to art rock, as an attempt to give greater artistic weight and credibility to rock music. Bands abandoned the short pop single in favor of instrumentation and compositional techniques more frequently associated with jazz or classical music in an effort to give rock music the same level of musical sophistication and critical respect. Songs were replaced by musical suites that often stretched to 20 or 40 minutes in length and contained symphonic influences, extended musical themes, fantasy-like ambiance and lyrics, and complex orchestrations. Music critics, who often labeled the concepts as "pretentious" and the sounds as "pompous" and "overblown," tended to be hostile toward the genre or to completely ignore it.
Progressive rock saw a high level of popularity throughout the 1970s, especially in the middle of the decade. Bands such as Jethro Tull, The Moody Blues, Pink Floyd, Yes, King Crimson, Genesis, and Emerson, Lake & Palmer (ELP) were the genre's most influential groups and were among the most popular acts of the era, although there were many other, often highly influential, bands who experienced a lesser degree of commercial success. The genre faded in popularity during the second half of the decade. Conventional wisdom holds that the rise of punk rock caused this, although in reality a number of factors contributed to this decline. Progressive rock bands achieved commercial success well into the 1980s, albeit with changed lineups and more compact song structures.
The genre grew out of the 1960s space rock of Pink Floyd and the classical rock experiments of bands like The Moody Blues, Procol Harum and The Nice. Most of the prominent bands from the genre's 1970s heyday fall into the "symphonic prog" category, in which classical orchestrations and compositional techniques are melded with rock music. Other subgenres exist, including the more accessible neo-progressive rock of the 1980s, the jazz-influenced Canterbury sound of the 1960s and 1970s, and the more political and experimental Rock in Opposition movement of the late 1970s and onward. Progressive rock has influenced genres such as krautrock and post-punk, and it has fused with other forms of rock music to create such sub-genres as neo-classical metal and progressive metal. A revival, often known as new prog, occurred at the turn of the 21st century and has since enjoyed a cult following.

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